Fredericia: A Chronicle of Danish Design
直擊 2026 米蘭設計周 Milano Design Week
𝙁𝙧𝙚𝙙𝙚𝙧𝙞𝙘𝙞𝙖: 𝘼 𝘾𝙝𝙧𝙤𝙣𝙞𝙘𝙡𝙚 𝙤𝙛 𝘿𝙖𝙣𝙞𝙨𝙝 𝘿𝙚𝙨𝙞𝙜𝙣
在米蘭三年展 Triennale Milano，丹麥百年品牌 Fredericia 暌違多年重返米蘭
展開了一場名為《丹麥設計編年史》的特展
這不只是一場家具展，更像走進一條丹麥設計歷史與現代的時光隧道
現場以沉浸式空間展出
Børge Mogensen、Hans J. Wegner、Nanna Ditzel 等設計大師經典家具
而當代的作品由 Jasper Morrison、Barber Osgerby、Cecilie Manz 等領軍
「這場展覽關乎文化，而不僅是家具。」
你會在這裡看見，所謂的「丹麥現代主義」不只是好看而已
背後的核心是：以人為本、工藝與工業的平衡，以及一份「服務社會」的民主理想
The Roots of Danish Design
In the 20th century, Danish design emerged as a distinctive cultural movement grounded in functional beauty, democratic ideals, and the belief that design should improve daily life and serve society at large. Founded in 1911, Fredericia offers a unique perspective on this evolution.
The exhibition highlights Fredericia not merely as a furniture manufacturer, but as a central actor in Danish design culture. It presents
a living chronicle in which tradition, innovation, and social values are interwoven to shape spaces, experiences, and the quiet poetry
of daily life.
“This exhibition is about culture as much as it is about furniture”
says Rasmus Graversen, CEO and third-generation owner of
Fredericia.
“Fredericia has always been shaped by innovative designers, highly skilled craftsmen, and a core belief that good design
should endure and enrich daily life. Revisiting our archives allowed us to tell not only my family’s story, but also the story of the
extraordinary creatives and cultural influences that have defined Fredericia.”
The exhibition begins with the principles that underpin Danish modernism : human-centred thinking, developed from the pioneering teachings of Kaare Klint : the integration of craft and industry, and a commitment to creating design built to last. Iconic works such as Børge Mogensen’s J39 Chair, known as The People’s Chair, exemplify these ideals.
Its precise construction, balanced proportions, and timeless functionality embody the philosophy that guided Mogensen’s collaboration with Fredericia and helped define Danish design worldwide.
